Gen Z: Exodus 38
1He built the altar for burnt offerings outta shittim wood, five cubits long, five cubits wide, and three cubits tall. Totally square vibes.
2He added horns on each corner, all matching, and covered it in brass. Pure flex.
3Made all the altar stuff like pots, shovels, basins, fleshhooks, and firepans, all in brass. That’s straight bussin’.
4He crafted a brass grate for the altar, like a dope network underneath.
5He threw on four rings at the ends of the grate for the staves. Smart move, no cap.
6Made the staves from shittim wood and covered them in brass. Rizz on point.
7Slipped the staves into the rings on the altar sides to carry it; the altar was hollow with boards. Savage design.
8He made the laver and its foot outta brass from the mirrors of the ladies chillin' at the tabernacle door.
9Built the court with fine linen hangings on the south side, a hundred cubits long. Major aesthetic.
10There were twenty pillars and twenty brass sockets; the hooks and fillets were silver. Total glow-up.
11For the north side, the vibes were a hundred cubits, with twenty pillars flexin' and their sockets of brass, no cap. The hooks and fillets were all silver, lit.
12The west side was chillin' with fifty cubits, ten pillars, and ten sockets; hooks and fillets? Yep, all silver, periodt.
13East side? Straight up fifty cubits, no cap.
14The hangings by the gate on one side were fifteen cubits; three pillars and three sockets, just vibing.
15The other side of the court gate had the same setup: fifteen cubits, three pillars, and three sockets, savage.
16All the hangings around the court were made of fine twined linen, and they were bussin'.
17The sockets for the pillars? Brass, fam. Hooks and fillets were silver, and the tops were all silver too; pillars were flexin' with silver vibes.
18The gate hanging was needlework, all blue, purple, and scarlet, with fine linen; twenty cubits long and five cubits high, matching the court hangings, fr.
19Four pillars holding it down, with four brass sockets; hooks were silver, and the tops and fillets were silver too, no cap.
20All the pins for the tabernacle and the court around it were straight brass, lit.
21This is the whole vibe of the tabernacle, like, it’s the testimony, counted up just like Moses said, for the Levites, handled by Ithamar, Aaron's dude.
22Bezaleel, Uri's kid from Judah, crafted everything the Lord told Moses to do.
23Aholiab, Ahisamach's son from Dan, was with him—mad skilled engraver and embroiderer in blue, purple, and scarlet.
24All the gold used for the holy place was 29 talents and 730 shekels, no cap, based on the sanctuary shekel.
25The silver from the counted peeps was 100 talents and 1,775 shekels, again, after the sanctuary shekel.
26A bekah for each person, that’s half a shekel, for everyone counted, 20 years and up, totaling 603,550 dudes.
27From the 100 talents of silver, they made the sockets for the sanctuary and the veil, 100 sockets, one talent each.
28With 1,775 shekels, he crafted hooks for the pillars and decked them out.
29The bronze offering was 70 talents and 2,400 shekels, straight up.
30He used that to make the door sockets for the tabernacle, the bronze altar, its grate, and all the altar stuff.
31The court's got those sockets all around, plus the gate sockets, and all the pins for the tabernacle and the court. It's all vibin' together.